Album Information Section
Album Title: There Is Always One More Time
Artist: B.B. King
Original Release Date: October 1, 1991
Label: Unknown Label
Genres: Blues, Electric Blues
Track Listing:
- 1. I’m Moving On (4:16)
- 2. Back in L.A. (5:00)
- 3. The Blues Come over Me (5:14)
- 4. Fool Me Once (4:18)
- 5. The Lowdown (4:11)
- 6. Mean and Evil (4:21)
- 7. Something Up My Sleeve (4:28)
- 8. Roll, Roll, Roll (5:58)
- 9. There Is Always One More Time (8:25)
Recording Information
There Is Always One More Time was recorded at Ocean Way Studios in Hollywood, California, a renowned location for numerous iconic albums. The sessions took place in 1991, during a fertile period in B.B. King’s career, as he continued to evolve and adapt his sound. The album was produced by the veteran producer and musician, John Porter, known for his work with various blues and rock artists.
The engineering team behind the album included notable figures such as Mike Shipley, who contributed his expertise in mixing and sound design. The production of the album utilized state-of-the-art analog recording equipment of the time, which allowed for a rich, warm sound that complemented King’s expressive guitar work and vocal delivery. One interesting production note is that King insisted on capturing the raw energy of his live performances, leading to a more spontaneous and authentic sound throughout the album.
Band Context
At the time of the album’s release, B.B. King was already a celebrated figure in the music industry, having achieved legendary status as one of the foremost blues musicians. Despite facing the challenges of an evolving music landscape, King remained a pivotal figure in blues music, continuing to tour extensively and introduce new audiences to his sound. His career had seen significant ups and downs, but by 1991, he was enjoying a resurgence in popularity, partly due to his collaborations and high-profile performances.
During the recording of There Is Always One More Time, the lineup consisted of B.B. King on guitar and vocals, accompanied by a talented group of musicians including drummer Tony Coleman, bassist Russell Jackson, and keyboardist John “J. J.” Jackson. This ensemble complemented King’s style and added depth to the album’s arrangements. The late 1980s and early 1990s were marked by King’s appearances in various films and television shows, further solidifying his status as an ambassador of the blues genre.
Track Commentary
The album opens with “I’m Moving On,” a song that showcases King’s signature guitar licks and heartfelt lyrics, setting the tone for the rest of the album. The second track, “Back in L.A.,” combines elements of urban blues with a lively tempo, painting a vivid picture of life in Los Angeles. This track, along with “The Blues Come over Me,” highlights King’s ability to convey deep emotion through his music, a recurring theme throughout the album.
As the album progresses, tracks like “Fool Me Once” and “The Lowdown” delve into themes of betrayal and resilience, with King’s expressive vocal style resonating strongly. “Mean and Evil” is a standout track that reflects King’s mastery of the blues genre, featuring a compelling interplay between his guitar and vocal lines. The album’s title track, “There Is Always One More Time,” closes the collection with an extended, soulful performance that encapsulates King’s enduring spirit and connection to his audience.
Overall, the critical reception of the album was positive, with many praising King’s continued relevance and ability to innovate within the blues genre. While not as commercially successful as some of his earlier works, There Is Always One More Time is considered a significant entry in King’s discography, demonstrating his artistic maturity and unwavering dedication to his craft. The album remains a testament to B.B. King’s legacy, showcasing the timelessness of his music and his profound impact on generations of musicians and fans alike.
