Then and Now – Grover Washington, Jr.

Album Information Section

Album Title: Then and Now

Artist: Grover Washington, Jr.

Original Release Date: 1988

Label: Columbia

Genres: Jazz, Smooth Jazz

Track Listing:

  • 1. Blues for D.P. (8:31)
  • 2. Just Enough (5:45)
  • 3. French Connections (7:01)
  • 4. Something Borrowed, Something Blue (7:59)
  • 5. Lullaby for Shana Bly (6:13)
  • 6. Stolen Moments (7:25)
  • 7. In a Sentimental Mood (7:04)
  • 8. Stella by Starlight (6:41)

Recording Information

The album “Then and Now” was recorded at the renowned Santa Monica Sound Recorders in Santa Monica, California. The recording sessions took place in 1988, the same year the album was released. Grover Washington, Jr. collaborated with producer and engineer Paul Brown, who was instrumental in shaping the smooth sound that characterizes this album. The use of state-of-the-art recording techniques and equipment ensured a polished final product that showcased Washington’s signature saxophone style.

One notable aspect of the production was the incorporation of contemporary jazz elements alongside Washington’s traditional smooth jazz roots. The album features a blend of live instrumentation and digital production techniques, which was becoming increasingly popular at the time. This combination allowed for a rich, layered sound that appealed to both jazz purists and a broader audience.

Band Context

At the time of “Then and Now,” Grover Washington, Jr. was already an established figure in the jazz world, known for his smooth saxophone playing and ability to bridge the gap between jazz, R&B, and pop music. Having released several successful albums since the 1970s, Washington had garnered a significant following and critical acclaim, notably for his hit “Just the Two of Us” in collaboration with Bill Withers. “Then and Now” came after a period of intense creativity and commercial success, positioning Washington as a prominent artist in the smooth jazz genre.

During the production of this album, Washington was accompanied by a talented lineup of musicians that included pianist and producer Paul Brown, bassist Gerald Veasley, and drummer Harvey Mason, among others. This ensemble brought together a wealth of experience and musicality, which contributed to the album’s cohesive and sophisticated sound. The late 1980s were a time of transition for Washington, as he sought to maintain his relevance in a rapidly evolving music landscape while staying true to his artistic vision.

Track Commentary

The album opens with “Blues for D.P.,” a track that showcases Washington’s ability to convey emotion through his saxophone. The piece sets the tone for the album, blending bluesy elements with smooth jazz. “Just Enough” follows, featuring a catchy melody and rhythmic groove that highlights Washington’s improvisational skills. This track, while not released as a single, has become a favorite among fans for its infectious energy.

“French Connections” presents a more laid-back vibe, allowing listeners to appreciate Washington’s lyrical playing style. The track transitions smoothly into “Something Borrowed, Something Blue,” which features lush harmonies and intricate arrangements that elevate the emotional impact. This song is particularly notable for its romantic themes, making it a standout piece on the album.

The subsequent tracks, including “Lullaby for Shana Bly” and “Stolen Moments,” delve into more introspective territory, showcasing Washington’s versatility as a musician. “In a Sentimental Mood” is a smooth reimagining of the classic Duke Ellington composition, filled with rich tones and heartfelt expression. Finally, the album closes with “Stella by Starlight,” a timeless standard that allows Washington to demonstrate his technical prowess while remaining accessible to listeners.

Overall, “Then and Now” received positive critical reception, with many praising Washington’s ability to fuse various styles while maintaining a signature sound. The album solidified his legacy in the smooth jazz genre and left a lasting impact on the music scene of the late 1980s. For more information about the album, visit its MusicBrainz page.

Album Cover

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