The CD of JB: Sex Machine & Other Soul Classics – James Brown

Album Information Section

Album Title: The CD of JB: Sex Machine & Other Soul Classics

Artist: James Brown

Original Release Date: 1985

Label: Unknown Label

Genres: Soul, Funk

Track Listing:

  • 1. Doing It to Death (5:26)
  • 2. Super Bad (mono) (3:02)
  • 3. Soul Power (mono) (3:05)
  • 4. Think (3:16)
  • 5. It’s a Man’s World (mono) (3:20)
  • 6. Try Me (I Need You) (mono) (2:35)
  • 7. Bewildered (mono) (2:28)
  • 8. Out of Sight (2:28)
  • 9. I Got You (2:31)
  • 10. Prisoner of Love (2:30)
  • 11. I Got the Feelin’ (mono) (2:45)
  • 12. Maybe the Last Time (3:05)
  • 13. Licking Stick – Licking Stick (2:52)
  • 14. Mother Popcorn (3:15)
  • 15. Papa’s Got a Brand New Bag (mono) (2:11)
  • 16. Sex Machine (5:08)
  • 17. The Payback (3:25)
  • 18. Please, Please, Please (mono) (2:44)

Recording Information

The compilation album “The CD of JB: Sex Machine & Other Soul Classics” by James Brown features tracks that were recorded primarily in various studios throughout the United States. Notably, much of Brown’s work during this era was completed at the renowned Criteria Recording Studios in Miami, Florida. Although specific recording dates for this compilation are not publicly documented, the original tracks featured span from the mid-1960s to the early 1970s, a prolific period for Brown.

The production team behind James Brown’s sound typically included influential figures such as Charles Bobbit and the legendary musician himself, who played a significant role in shaping the arrangements and recording techniques. Brown was known for his innovative use of rhythm, layering, and dynamic horn sections, employing techniques such as multi-tracking to create the rich sound that defined his music. The album’s compilation nature does not shed light on any singular production stories but showcases Brown’s relentless drive to innovate in the studio.

Band Context

By the time of this album’s release in 1985, James Brown had firmly established himself as a cultural icon and the “Godfather of Soul.” His career had seen numerous ups and downs, including legal troubles and changes in his band lineup. In the late 1970s and early 1980s, Brown was also navigating the changing musical landscape, with the rise of disco and hip-hop. However, he remained a significant influence on both genres, with his legacy deeply embedded in the fabric of American music.

During this period, Brown’s backing band saw many iterations, but the classic lineup included members like Fred Wesley (trombone), Maceo Parker (saxophone), and Clyde Stubblefield (drums). These musicians were pivotal in creating the tight, funky rhythms that became synonymous with Brown’s sound. Notably, some of the tracks featured on this compilation reflect the transformative years that established him as a pioneer of funk music.

Track Commentary

The tracks included in “The CD of JB: Sex Machine & Other Soul Classics” are a testament to James Brown’s extensive catalog and influential style. The album opens with “Doing It to Death,” a track that showcases Brown’s distinctive voice and energetic performance, setting the tone for the rest of the collection. “Super Bad” and “Soul Power,” both presented in mono, highlight Brown’s ability to infuse funk with social commentary, a recurring theme throughout his work.

Hits like “It’s a Man’s World” and “Please, Please, Please” delve into deeper emotional territories, illustrating Brown’s versatility as a performer. Meanwhile, tracks such as “Sex Machine” and “The Payback” exemplify his mastery of rhythm and innovation, cementing his status as a pioneer in the funk genre. “Papa’s Got a Brand New Bag,” one of Brown’s most recognizable tracks, captures the spirit of the 1960s and the birth of funk music.

Critical reception of these tracks has evolved over time, with many now viewed as classics that have left an indelible mark on soul and funk music. The compilation serves not only as a nostalgic look back at Brown’s profound impact on music but also as an essential collection for new listeners to explore the breadth of his contributions to the genre.

Album Cover

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