Album Information Section

Album Title: Born Under a Bad Sign

Artist: Albert King

Original Release Date: August 1967

Label: Unknown Label

Genres: Blues, Electric Blues

Track Listing:

• 1. Born Under a Bad Sign (2:49)
• 2. Crosscut Saw (2:35)
• 3. Kansas City (2:33)
• 4. Oh, Pretty Woman (2:50)
• 5. Down Don’t Bother Me (2:11)
• 6. The Hunter (2:45)
• 7. I Almost Lost My Mind (3:31)
• 8. Personal Manager (4:31)
• 9. Laundromat Blues (3:22)
• 10. As the Years Go Passing By (3:47)
• 11. The Very Thought of You (3:50)
• 12. Born Under A Bad Sign (take 1 – alternate) (2:52)
• 13. Crosscut Saw (take 1 – alternate) (3:01)
• 14. The Hunter (take 1 – alternate) (2:48)
• 15. Personal Manager (take 15 – alternate) (3:21)
• 16. Untitled Instrumental (2:06)

Recording Information

“Born Under a Bad Sign” was recorded at Stax Recording Studios in Memphis, Tennessee, a pivotal location in the development of Southern soul and blues music. The sessions took place primarily in 1967, during a period when Stax was rapidly gaining prominence in the music industry.

The album was produced by the legendary Al Jackson Jr., known for his work with other Stax artists, and engineered by the studio’s in-house team, which contributed to the distinctive sound that defined many records released during this era. Notable recording techniques included the use of live band performances, capturing the raw energy of the musicians, and the incorporation of horns and rhythm sections that characterized the Stax sound.

Interestingly, the album features both standard takes and alternate versions of select tracks, providing listeners with a glimpse into the creative process and different interpretations of the material. These alternate takes, especially of songs like “Born Under a Bad Sign” and “Crosscut Saw,” showcase King’s improvisational prowess and the dynamic interplay between him and his bandmates.

Band Context

By 1967, Albert King was already an established figure in the blues scene, known for his powerful guitar playing and deep, resonant voice. He was one of the “three kings of blues” alongside B.B. King and Freddie King, and he had been releasing music since the early 1950s. Before “Born Under a Bad Sign,” King had achieved moderate success with tracks like “Laundromat Blues,” but this album marked a significant turning point in his career, elevating his status in the blues genre.

During the recording of this album, King was backed by talented musicians who contributed to the rich sound of the record. The lineup typically included the renowned Stax house band, the MGs, featuring members like Booker T. Jones and Steve Cropper, who were instrumental in shaping the rhythm and groove of the tracks. The synergy between King and the band members was palpable and played a crucial role in the album’s overall impact.

This period was also marked by significant changes in the music industry, with the rise of electric blues and soul music, allowing King to harness contemporary trends while remaining true to his roots. The album’s release helped solidify his legacy and introduced his music to a broader audience, including fans of rock and soul.

Track Commentary

The album opens with the iconic title track “Born Under a Bad Sign,” a blues anthem that has since become synonymous with King’s name. The song explores themes of misfortune and heartbreak, showcasing King’s signature expressive guitar work and soulful vocals. This track, along with “Crosscut Saw” and “Oh, Pretty Woman,” became staples in King’s live performances and are frequently covered by other artists.

“Crosscut Saw,” another standout track, features a catchy riff and a driving rhythm, demonstrating King’s ability to blend traditional blues with more contemporary sounds of the time. The track’s infectious groove and engaging lyrics have made it a favorite among blues aficionados.

Other notable tracks include “The Hunter,” which highlights King’s skillful guitar solos, and “I Almost Lost My Mind,” a poignant ballad that showcases his emotive vocal delivery. The album also features alternate takes, providing insights into King’s creative process and the various interpretations of his work.

Overall, “Born Under a Bad Sign” received critical acclaim upon its release and has since been recognized as a seminal work in blues music. Its influence can be seen across genres, with many artists citing King as a major inspiration. The album has left an enduring legacy, celebrated for its raw emotional power and musicianship, solidifying Albert King’s place in the pantheon of blues legends.