Album Information Section
Album Title: №4
Artist: Stone Temple Pilots
Original Release Date: October 26, 1999
Label: Unknown Label
Genres: Alternative Rock, Grunge
Track Listing:
- 1. Down (3:51)
- 2. Heaven & Hot Rods (3:28)
- 3. Pruno (3:17)
- 4. Church on Tuesday (3:02)
- 5. Sour Girl (4:18)
- 6. No Way Out (4:22)
- 7. Sex & Violence (2:56)
- 8. Glide (5:02)
- 9. I Got You (4:18)
- 10. MC5 (2:44)
- 11. Atlanta (5:19)
Recording Information
Stone Temple Pilots recorded their fourth studio album, titled №4, at the prestigious NRG Studios located in North Hollywood, California. The recording sessions took place during the summer of 1999, a period marked by intense creativity for the band. The album was produced by the band themselves along with the acclaimed producer and engineer, Brendan O’Brien, known for his work with several prominent rock acts. O’Brien’s presence brought a polished yet powerful sound to the album, continuing the band’s exploration of diverse musical styles.
Notable recording techniques included the use of analog tape to capture the warmth of the band’s sound, as well as layered guitar tracks that provided depth and texture to the music. One of the interesting production notes is how the band incorporated various instruments and sound effects, pushing the boundaries of their established sound while still retaining their signature grunge essence.
Band Context
By the time of the release of №4, Stone Temple Pilots had established themselves as a prominent force in the alternative rock scene. The band, formed in 1989, consisted of Scott Weiland (lead vocals), Dean DeLeo (guitar), Robert DeLeo (bass, backing vocals), and Eric Kretz (drums). Prior to the album’s release, the band had experienced significant commercial success with their previous albums, but they also faced challenges, including Weiland’s ongoing struggles with substance abuse, which would later affect the band’s dynamics.
The period leading up to the recording of №4 was pivotal for the band. They had just come off a successful tour following their third album, Tiny Music… Songs from the Vatican Gift Shop (1996), and were eager to return to the studio to create new music. However, the internal tensions due to Weiland’s personal issues and the evolving music landscape created an atmosphere of uncertainty. Nevertheless, the band managed to channel their experiences and frustrations into their songwriting, resulting in a collection of tracks that reflect their tumultuous journey.
Track Commentary
The album opens with “Down,” a track characterized by its infectious groove and catchy chorus, which quickly became a fan favorite and was released as a single. “Heaven & Hot Rods” follows, showcasing a more upbeat tempo and a playful lyrical approach. “Pruno” takes a darker turn, featuring raw guitar riffs and introspective lyrics that delve into themes of addiction and despair.
“Sour Girl,” one of the album’s standout tracks, is notable for its haunting melody and introspective lyrics, which were inspired by Weiland’s tumultuous relationships. The song received significant airplay and remains a staple in the band’s catalog. Other tracks like “No Way Out” and “Sex & Violence” explore the duality of love and aggression, showcasing the band’s ability to blend hard rock elements with poignant lyrical themes.
Tracks such as “Glide” and “I Got You” further illustrate the band’s range, incorporating melodic hooks and dynamic instrumentation, while “MC5” pays homage to the influential Detroit rock band of the same name. The closing track, “Atlanta,” offers a reflective end to the album, encapsulating the band’s journey and struggles in a poignant manner.
Overall, №4 received mixed to positive reviews from critics, with many praising its ambitious sound and lyrical depth. While it may not have reached the commercial heights of its predecessors, the album has since garnered a cult following and is appreciated for its artistic experimentation and emotional honesty. The legacy of this album continues to resonate with fans, solidifying Stone Temple Pilots’ place in the pantheon of 90s rock music.
