Brasil – The Manhattan Transfer

Album Information Section

Album Title: Brasil

Artist: The Manhattan Transfer

Original Release Date: 1987-11-17

Label: Unknown Label

Genres: Jazz, Pop, Latin

Track Listing

  • 1. Soul Food to Go (Sina) (5:17)
  • 2. The Zoo Blues (Asa) (4:06)
  • 3. So You Say (Esquinas) (4:59)
  • 4. Capim (Capim) (5:12)
  • 5. Metropolis (Arlequim desconhecido) (4:37)
  • 6. Hear the Voices (Bahia de todas as contas) (4:09)
  • 7. Agua (Agua) (5:10)
  • 8. The Jungle Pioneer (Viola violar) (3:33)
  • 9. Notes From the Underground (Antes que seja tarde) (5:47)

Recording Information

The album “Brasil” was recorded at the renowned Power Station studios in New York City, a space known for its exceptional acoustics and state-of-the-art equipment. The recording sessions took place over the course of 1987, a year highlighted by the band’s commitment to exploring Brazilian musical influences. The album was produced by the talented Jay Graydon, a figure well-known for his work in the pop and jazz genres, while the engineering was handled by the esteemed David Hewitt.

One notable recording technique employed during these sessions was the use of live ensemble arrangements, allowing the band to capture the organic interplay between the vocal harmonies and instrumental accompaniment. This approach contributed to the vibrant sound that characterizes the album. Additionally, anecdotes from the studio sessions reveal that the band members immersed themselves in Brazilian culture, studying rhythms and melodies to authentically convey the essence of the music.

Band Context

The Manhattan Transfer had already established themselves as a prominent vocal group by the time “Brasil” was released. Known for their rich harmonies and eclectic style, they had garnered multiple Grammy Awards and were recognized for their innovative blending of jazz, pop, and R&B. The lineup during this recording featured the core members: Tim Hauser, Cheryl Bentyne, Janis Siegel, and Alan Paul. Each member brought their unique vocal stylings, which seamlessly integrated to create the signature Manhattan Transfer sound.

Leading up to the release of “Brasil,” the band was on a creative high, having recently released the critically acclaimed album “Vocalese” in 1985. This period was marked by a growing interest in world music, particularly Brazilian genres, which prompted the group’s decision to focus on this vibrant musical landscape. The band’s exploration of Brazilian music was an exciting venture, as they sought to incorporate samba, bossa nova, and other influences into their repertoire, reflecting a significant evolution in their artistic journey.

Track Commentary

The album opens with “Soul Food to Go (Sina),” a lively track that sets the tone with its infectious rhythm and intricate vocal arrangements. The song combines elements of samba with jazz harmonies, immediately showcasing the band’s adaptability and creativity. Following this, “The Zoo Blues (Asa)” presents a more laid-back groove, featuring soulful melodies and lush harmonies that pull the listener into the vibrant world of Brazilian music.

Tracks like “Capim” and “Metropolis (Arlequim desconhecido)” delve deeper into the Brazilian sound, with “Capim” highlighting the band’s ability to fuse jazz elements with traditional Brazilian instrumentation. “Hear the Voices (Bahia de todas as contas)” serves as a poignant reflection on cultural identity, blending intricate vocal lines with rich rhythmic patterns.

Standout tracks such as “Agua” and “Notes From the Underground (Antes que seja tarde)” not only display The Manhattan Transfer’s vocal prowess but also their skill in storytelling through music. “Agua” features a catchy melody that captures the essence of longing and love, while “Notes From the Underground” closes the album on a reflective note, combining intricate vocal harmonies with thought-provoking lyrics.

Critically, “Brasil” was well-received, with many praising the band for their adventurous spirit and successful execution of Brazilian styles. The album is often regarded as a significant entry in their discography, showcasing their versatility and commitment to artistic exploration. Its legacy continues to influence artists today, exemplifying the power of cross-cultural musical fusion.

Album Cover

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