Texas Flood – Stevie Ray Vaughan and Double Trouble

Album Information Section

Album Title: Texas Flood

Artist: Stevie Ray Vaughan and Double Trouble

Original Release Date: June 13, 1983

Label: Epic

Genres: Blues, Blues Rock

Track Listing

  • 1. Love Struck Baby (2:24)
  • 2. Pride and Joy (3:40)
  • 3. Texas Flood (5:21)
  • 4. Tell Me (2:49)
  • 5. Testify (3:22)
  • 6. Rude Mood (4:40)
  • 7. Mary Had a Little Lamb (2:47)
  • 8. Dirty Pool (5:02)
  • 9. I’m Cryin’ (3:47)
  • 10. Lenny (5:07)
  • 11. SRV Speaks (0:37)
  • 12. Tin Pan Alley (a.k.a. Roughest Place in Town) (7:42)
  • 13. Testify (live) (3:54)
  • 14. Mary Had a Little Lamb (live) (3:32)
  • 15. Wham! (live) (4:20)

Recording Information

Texas Flood was recorded at the renowned Sunset Sound studio located in Los Angeles, California. The recording sessions took place in early 1983, marking a significant moment in the blues genre. The album was produced by the experienced John Hammond, known for his work with many legendary artists.

The engineering duties were handled by Jim Gaines, who played a pivotal role in capturing the raw energy and passion that defined the album. Notable recording techniques included the use of analog tape for warmth and depth, along with the live studio recordings that allowed for the authentic feel of a live performance to shine through. The choice of vintage amplifiers and guitars, particularly Vaughan’s iconic Fender Stratocaster, contributed to the album’s signature sound.

One interesting production note is that the title track, “Texas Flood,” was recorded in one take, showcasing the band’s chemistry and spontaneity. This track, along with others, would later become essential in defining the sound of modern blues.

Band Context

At the time of recording Texas Flood, Stevie Ray Vaughan was an emerging artist, having gained initial recognition in the Austin music scene. Vaughan, along with his band Double Trouble, which consisted of Chris Layton on drums and Tommy Shannon on bass, was poised to bring blues back into the mainstream. The band’s electrifying live performances had garnered attention, leading to a recording contract with Epic Records.

Prior to the album’s release, Vaughan had opened for major acts, including the legendary David Bowie and Jackson Browne, which helped build his reputation as a formidable guitarist and vocalist. The release of Texas Flood was a turning point, as it showcased Vaughan’s exceptional talent and the band’s dynamic sound, leading to widespread acclaim and a growing fanbase.

Despite being relatively new to the national stage, the album quickly elevated Vaughan to a position of prominence within the music industry, signaling a new wave of interest in blues music during the 1980s.

Track Commentary

The tracks on Texas Flood reflect a blend of traditional blues influences and Vaughan’s innovative approach to guitar playing. Opening with “Love Struck Baby,” the album sets an energetic tone with its catchy hooks and driving rhythm. “Pride and Joy” follows as one of the standout singles, featuring a memorable guitar riff and heartfelt lyrics that resonate with listeners. This track became a defining anthem for Vaughan, showcasing his ability to blend emotional depth with technical prowess.

The title track, “Texas Flood,” is a masterclass in blues guitar, featuring Vaughan’s expressive playing and soulful vocals. The song’s narrative captures the intensity of personal struggle, underscoring the album’s themes of heartache and resilience.

Other notable tracks include “Lenny,” a stunning instrumental tribute to Vaughan’s then-girlfriend, which highlights his soft touch and lyrical guitar phrasing. The live tracks included in the album offer a glimpse into the band’s electrifying stage presence, with “Testify” and “Mary Had a Little Lamb” showcasing their improvisational skills and raw energy.

Overall, Texas Flood received critical acclaim upon its release, with many praising Vaughan’s guitar work and emotional delivery. The album not only revitalized interest in blues music but also solidified Vaughan’s legacy as one of the greatest guitarists of his generation. Its influence continues to resonate within the genre, inspiring countless artists and fans alike.

Album Cover

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