Album Information Section
Album Title: Super Session
Artist: Mike Bloomfield, Al Kooper, Stephen Stills
Original Release Date: July 22, 1968
Label: Columbia
Genres: Blues Rock, Rock
Track Listing:
- 1. Albert’s Shuffle (6:54)
- 2. Stop (4:19)
- 3. Man’s Temptation (3:25)
- 4. His Holy Modal Majesty (9:13)
- 5. Really (5:26)
- 6. It Takes a Lot to Laugh, It Takes a Train to Cry (3:30)
- 7. Season of the Witch (11:08)
- 8. You Don’t Love Me (4:10)
- 9. Harvey’s Tune (2:11)
- 10. Albert’s Shuffle (2002 remix w/o horns) (6:58)
- 11. Season of the Witch (2002 remix w/o horns) (11:08)
- 12. Blues for Nothing (session outtake) (4:15)
- 13. Fat Grey Cloud (live) (4:39)
Recording Information
The album “Super Session” was recorded at the legendary Columbia Studios in New York City. Recording took place in 1968, during a pivotal year for rock music, reflecting the experimentation and blending of genres that characterized the era.
The album was produced by Al Kooper, who was also a key player in the recording. The engineering was handled by Randy Holden, known for his work with various influential artists. Notable recording techniques included live improvisation, which was a hallmark of the sessions, capturing the spontaneous energy of the musicians. The atmosphere in the studio was relaxed, allowing for creative exploration, and as a result, many tracks on the album feature extended jam sessions.
One interesting production note is that the initial idea for “Super Session” was born out of a jam session that Kooper organized, where he invited several notable musicians to collaborate. The chemistry between Kooper, Bloomfield, and Stills created a unique sound that would leave a lasting impact on the rock genre.
Band Context
At the time of “Super Session,” the artists involved were at critical junctures in their careers. Mike Bloomfield, previously a member of the Paul Butterfield Blues Band, had already established himself as a virtuoso guitarist and a pioneer of blues-rock. Al Kooper, known for his work with the Blues Project and as a session musician, was gaining a reputation as a versatile producer and keyboardist. Stephen Stills, fresh off his success with Buffalo Springfield, was eager to explore new musical avenues.
The collaboration for “Super Session” came during a time when each member was navigating their respective careers. Bloomfield was looking to break away from traditional blues, while Stills sought to expand his musical horizons beyond Buffalo Springfield. This album marked a significant moment, as it spotlighted their collective talents in a context that allowed for creative freedom and innovation.
The subsequent success of “Super Session” solidified the individual careers of its members, leading to further collaborations and projects, including Stills’ work with Crosby, Stills, Nash & Young and Bloomfield’s ongoing influence in the blues-rock genre.
Track Commentary
The tracks on “Super Session” showcase a mix of blues, rock, and improvisational elements that reflect the talents of its creators. The album opens with “Albert’s Shuffle,” a powerful instrumental that immediately establishes the album’s blues-rock credentials. The track features intricate guitar work by Bloomfield and a tight rhythm section that sets the stage for the electric atmosphere of the album.
“Stop” and “Man’s Temptation” introduce more lyrical content, with Kooper’s soulful vocals highlighting the themes of love and introspection. Notably, “His Holy Modal Majesty” stands out for its ambitious structure and improvisational style, showcasing the musicians’ ability to blend genres seamlessly.
The album also features a notable cover of Bob Dylan’s “It Takes a Lot to Laugh, It Takes a Train to Cry,” which received critical acclaim and contributed to the album’s legacy. “Season of the Witch,” another standout track, is characterized by its haunting melody and extended instrumental passages, encapsulating the spirit of the late 1960s.
Overall, “Super Session” has been praised for its innovative approach to collaboration, with critics noting the seamless interplay between the musicians. The album’s legacy continues to influence artists across various genres, and its standout tracks remain essential listening for fans of blues and rock music. The inclusion of remixes and outtakes in later pressings, such as the 2002 remixes, further enhances the album’s appeal for collectors and new listeners alike.
