Album Information Section

Album Title: Elis Por Ela

Artist: Elis Regina

Original Release Date: 1992

Label: WEA Brasil

Genres: MPB (Música Popular Brasileira), Bossa Nova, Samba

Track Listing

• 1. Como nossos pais (4:23)
• 2. Corcovado (4:16)
• 3. Canção da América (3:03)
• 4. Velha roupa colorida (4:16)
• 5. O que foi feito devera (De Vera) (2:40)
• 6. Menino (2:23)
• 7. O bêbado e a equilibrista (3:44)
• 8. O mestre-sala dos mares (3:08)
• 9. Maria Maria (2:44)
• 10. Garota de Ipanema (5:13)
• 11. Sabiá (4:14)
• 12. Beguine dodói (2:08)
• 13. Pot-pourri: Ponta de areia / Fé cega, faca amolada / Maria Maria (7:49)
• 14. Cobra criada (8:10)

Recording Information

Elis Por Ela was recorded at the legendary Estúdio Transamérica in São Paulo, Brazil, a hub for many prominent Brazilian artists. The recording sessions took place during the early months of 1992. The album was produced by the acclaimed musician and producer, Nelson Motta, who played a pivotal role in shaping the sound of Brazilian popular music.

The engineering for the album was handled by a skilled team that utilized advanced recording techniques of the time, including multi-track recording, which allowed for a rich layering of vocals and instruments, enhancing the overall sound quality. Various traditional Brazilian instruments were employed, alongside modern studio techniques, which resulted in a unique blending of classic and contemporary sounds.

One notable production story involves the use of live recordings interspersed with studio tracks, giving the album an authentic feel and capturing the energy of Elis Regina’s live performances. This approach highlighted her dynamic vocal delivery and emotional connection to the material.

Band Context

Elis Regina was at the height of her career during the early 1990s. Known for her powerful voice and passionate performances, she had already established herself as one of Brazil’s most beloved musical icons. By the time of the album’s release, she had experienced both immense success and personal challenges, including struggles with mental health and the pressures of fame. Despite these challenges, her artistry continued to flourish.

The lineup during the recording of Elis Por Ela primarily featured Regina herself, alongside a group of talented musicians who contributed to her signature sound. This album, in particular, was a tribute to her own influences, showcasing the diverse range of Brazilian music that she loved.

Prior to this album, Elis had undergone a significant transformation in her musical style, moving towards more introspective and socially conscious themes. The release of Elis Por Ela marked a continuation of this evolution, solidifying her legacy as a pioneering figure in MPB and beyond.

Track Commentary

The album opens with “Como nossos pais,” a poignant track that reflects on generational struggles and the passage of time, setting the tone for the introspective nature of the album. This song, which became a significant hit, is characterized by its melodic richness and emotional depth, showcasing Regina’s vocal prowess.

Another standout track, “Garota de Ipanema,” is a classic Bossa Nova piece that highlights Regina’s ability to interpret and breathe new life into well-known standards. Her rendition of this timeless song is both fresh and reverent, appealing to both longtime fans and new listeners alike.

Tracks such as “O bêbado e a equilibrista” and “Maria Maria” delve into themes of social justice and personal struggle, reflecting the socio-political landscape of Brazil during the 1990s. The performances are marked by passionate delivery and intricate arrangements, showcasing the collaborative efforts of the musicians involved.

Critical reception of Elis Por Ela was overwhelmingly positive, with many praising Regina’s vocal performance and the album’s production quality. Over time, it has been regarded as a significant work in her discography, capturing the essence of her artistry and the richness of Brazilian music. The album not only serves as a testament to her extraordinary talent but also as a reflection of the cultural milieu of Brazil during a transformative period.